Burlesque (2010)

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Titolo originale: Burlesque–>
Genere: Drammatico, Musical, Romantico–>
Durata: 119–>
Nazione: USA–>

  • Steve Antin

Scritto da:

  • Steve Antin- nel ruolo di Steven Antin)


  • Bojan Bazelli (produttore associato)
  • Dana Belcastro (produttore esecutivo)
  • Stacy Cramer (produttore esecutivo – nel ruolo di Stacy Kolker Cramer)
  • Donald De Line (regista)
  • Dave Goldberg (produttore associato)
  • Geoffrey Hansen (produttore associato – nel ruolo di Geoff Hansen)
  • Risa Shapiro (produttore esecutivo)
  • Glenn S. Gainor (produttore esecutivo (accreditato)


  • Christophe Beck

Trama del film:

The Burlesque Lounge has its best days behind it. Tess, a retired dancer and owner of the venue, struggles to keep the aging theater alive, facing all kinds of financial and artistic challenges. With the Lounge's troupe members becoming increasingly distracted by personal problems and a threat coming from a wealthy businessman's quest to buy the spot from Tess, the good fortune seems to have abandoned the club altogether. Meanwhile, the life of Ali, a small-town girl from Iowa, is about to change dramatically. Hired by Tess as a waitress at the Lounge, Ali escapes a hollow past and quickly falls in love with the art of burlesque. Backed by newfound friends amongst the theater's crew, she manages to fulfill her dreams of being on stage herself. Things take a dramatic turn though when Ali's big voice makes her become the main attraction of the revue. Written by Bobby_John



1 Comment


    st-shot said

    February 25 2012 @ 14:14

    The state of American film in the 21st Century has been generally
    abysmal but nowhere is it more evident than in the film musical. Taking
    the most honored of the period Chicago, a Fosse wanta be with bad
    performances and forgettable tunes as the benchmark it is more than
    evident all singing all dancing has lost its voice and more than a
    step. The latest entry and every bit the tepid much ado about nothing
    heat and light display of flaccid musical storytelling as the Oscar
    winner (an even bigger comment on the unimaginative state of the movie
    business) is the insipidly slick Burlesque.

    Stop me if you've heard this. Young impressionable girl with massive
    hidden talent leaves the land of corn for the bright lights of LA where
    she stumbles upon a run down anachronism with a crusty but
    understanding owner still in it for love of the game who gives the kid
    a break and, well you can fill in the rest.

    In the role of Judy Garland Christine Aguleria sings the blues with
    impressive voice but it's all plastic soul and slumming for the former
    mouseketeer who presents an unintentionally jarring visual context of
    an Aryan uber babe singing Bessie Smith. Speaking of plastic Cher all
    polished and waxed like an antique Oldsmobile splits her time offering
    sage advice and sarcasm. In addition she does a couple of tunes with
    her signature howl wrapped as always in distracting outfit and opulent
    stagecraft to soften its blow. There's some male characters whose
    purpose it seems is to stand around with expressions of awe for the
    divas and of course the serious pyrotechnics surrounding the noir dance
    numbers that attempts to put some make-up on this pig but in the end it
    is all forced Fosse.

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